MEMBERS

  • tribes.org

    info@tribes.org

    A Gathering of the Tribes is a 501(c)(3) non-profit arts organization based in New York City that provides a platform for diverse, traditionally underrepresented artists and writers, amplifying the emerging and established revolutionary voices of our time. In addition, Tribes is committed to honoring and memorializing the life and legacy of our founder, Steve Cannon.

  • anthologyfilmarchives.org

    info@anthologyfilmarchives.org

    Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema.

  • artsforarts.org

    info@artsforarts.org 

    Arts for Art is dedicated to the exceptional creativity that originated in the Black interdisciplinary jazz culture that utilizes improvisation to express a larger, more positive dream of inclusion and freedom.

  • aaartsalliance.org

    Asian American Arts Alliance is a nonprofit organization dedicated to ensuring greater representation, equity, and opportunities for Asian American artists and cultural organizations through resource sharing, promotion, and community building.

  • bidoun.org

    info@bidoun.org

    Since 2004, Bidoun has filled a gaping hole in the arts and culture coverage of the Middle East and its diasporas, pioneering a distinctive voice that is original, intelligent, and irreverent. From the beginning, Bidoun has served as a home for new questions, images, and ideas about the region.

    Bidoun’s activities fall in three primary areas: publishing, educational, and curatorial. To date, our projects have included a range of pursuits: exhibitions, writing workshops, artist commissions, talks, tours, performances, film screenings, books, an itinerant library, and an online archive of avant-garde media.

  • blankforms.org 

    Blank Forms is a nonprofit organization supporting emerging and historically significant artists who produce work across disciplines, often rooted in traditions of experimental and creative music. We aim to establish new frameworks to preserve, nurture, and present these artists’ work and to build platforms for practices underrepresented in art’s commercial, institutional, and historical fields. Blank Forms collaborates with artists on commissions, exhibitions, publications as well as archival and estate projects within contemporary cultural ecosystems and in perpetuity. In presenting and documenting this work, Blank Forms seeks to foster an artistic community founded upon engaged and equitable conversations across continents, media, and generations.

  • cousincollective.org 

    info@cousincollective.org

    COUSIN is a collective supporting Indigenous artists expanding the form of film. COUSIN creates and supports work that is personal, proudly provocative and driven by strong, artistic voices. We celebrate this work and get it made, seen and shared.

    Founded in 2018 by Sky Hopinka, Adam Khalil, Alexandra Lazarowich and Adam Piron, COUSIN was created to provide support for Indigenous artists expanding traditional definitions and understandings of the moving image by experimenting with form and genre.

  • danspaceproject.org

    info@danspaceproject.org 

    Danspace Project presents new work in dance, supports a diverse range of choreographers in developing their work, encourages experimentation, and connects artists to audiences.

  • eai.org

    info@eai.org 

    Founded in 1971, EAI is a nonprofit resource that fosters the creation, exhibition, distribution and preservation of media art. EAI's core program is the distribution and preservation of a major collection of over 5,000 new and historical video works by artists, supported by public programming, preservation, education, and publication initiatives. EAI works closely with educators, curators, programmers and collectors to facilitate exhibitions, acquisitions and educational uses of media artworks.

  • franklinfurnace.org

    mail@franklinfurnace.org

    Franklin Furnace’s mission is to present, preserve, interpret, educate, and advocate on behalf of avant-garde art, especially forms that may be vulnerable due to institutional neglect, cultural bias, ephemerality, or politically unpopular content. The organization provides physical and virtual venues for the presentation of time-based art, including artists’ books and periodicals, performance art, installation art, and unforeseen contemporary avant-garde artforms; and undertakes other activities related to these purposes. Franklin Furnace is dedicated to serving early-career artists, cultivating appreciation of avant-garde art for all, and fostering artists’ zeal to circulate ideas.

  • harvestworks.org

    harvestworks@gmail.com

    Founded as a not-for-profit organization by artists in 1977, Harvestworks has helped a generation of artists create new works using technology. Our mission is to support the creation and presentation of art works achieved through the use of new and evolving technologies. Our goals are to create an environment where artists can make work inspired and achieved by electronic media; to create a responsive public context for the appreciation of new work by presenting and disseminating the finished works; to advance the art community’s and the public’s “agenda” for the use of technology in art; and to bring together innovative practitioners from all branches of the arts collaborating in the use of electronic media. We assist with commissions and residencies, production services, education and information programs, and the presentation and distribution of their work.

  • curatorsintl.org

    info@curatorsintl.org

    Independent Curators International (ICI) supports curators to help create stronger art communities through experimentation, collaboration, and international engagement.

    Curators are arts community leaders and organizers who champion artistic practice; build essential infrastructures and institutions; and generate public engagement with art. We work with art spaces in the US and around the world to present exhibitions and public programs for broad audiences; and professional development initiatives for curators. Our collaborative programs connect curators, artists, and audiences from across social, political, and cultural borders. They form an international framework for sharing knowledge and resources — promoting cultural exchange, access to art, and public awareness for the curator’s role.

  • issueprojectroom.org

    info@issueprojectroom.org

    ISSUE Project Room plays a vital role in NYC’s cultural ecology, facilitating the commission and premiere of new works and presenting a diverse array of artists working across sound, movement, film, performance and literature. Programming aims to bring recognition to artists whose important contributions fall beyond infrastructural boundaries of discipline or genre, elude audience expectations, or are otherwise underrepresented as a result of bias within the fields of art and performance, and broader histories of social and economic participation. Through the cultivation of innovative new work, ISSUE performs an essential research and development function that fosters a dynamic influx of ideas into the local, national, and international creative landscape.

  • lightindustry.org

    information@lightindustry.org

    Light Industry is a venue for cinema in all its forms, developed and overseen by Thomas Beard and Ed Halter.

  • maysles.org

    info@maysles.org

    Maysles Documentary Center (MDC) is a Harlem-based nonprofit organization committed to community, education, and documentary film. We use filmmaking to amplify and expand under-represented artists and narratives, while empowering young filmmakers in creative self-expression, communicating ideas, and advocating needs.

  • mononoawarefilm.com

    mononoawarefilm@gmail.com

    MONO NO AWARE is a 501c3 cinema-arts non-profit organization and film positive community working to promote connectivity through the cinematic experience. Our initiatives are in an effort to deepen our understanding of community through our relationship to visual culture.

  • movementresearch.org

    info@movementresearch.org

    Movement Research, founded in 1978, is one of the world’s leading laboratories for the investigation of dance and movement-based forms. Valuing the individual artist, their creative process and their vital role within society, Movement Research is dedicated to the creation and implementation of free and low-cost programs that nurture and instigate discourse and experimentation. Movement Research strives to reflect the cultural, political and economic diversity of its moving community, including artists and audiences alike.

  • participantinc.org

    info@participantinc.org

    Emerging from the height of the HIV/AIDS crisis in post-9/11 New York City and informed by the unresolved histories of the alternative space movement, PARTICIPANT INC is an educational corporation and not-for-profit art space engaging communities through in-depth artist collaborations, exhibitions, performances, and estates work as radical acts of care. PARTICIPANT supports generative curatorial and critical practices made through the lens of social, racial, and environmental justice and centers LGBTQIA2S+, BIPOC, disabled, and low-income artists. We foster expanding definitions of diversity, access, and service to artists’ legacies.

  • primaryinformation.org

    press@primaryinformation.org

    Primary Information is a non-profit organization founded in 2006 to publish artists’ books and artists’ writings. The organization’s programming advances the often-intertwined relationship between artists’ books and arts’ activism, creating a platform for historically marginalized artistic communities and practices. Primary Information facilitates intergenerational dialogue through the simultaneous publication of new and archival books, providing a new audience for out-of-print works and historical context for contemporary artists.

  • queer-art.org

    info@queer-art.org

    Queer|Art was born out of the recognition of a generation of artists and audiences lost to the ongoing AIDS Crisis, and in a profound understanding that one of the many repercussions of that loss has been a lack of mentors and role models for a new generation of LGBTQ+ artists. Founded in 2009 by filmmaker Ira Sachs, Queer|Art serves as a ballast against this loss and seeks to highlight and address a continuing fundamental lack of both economic and institutional support for LGBTQ+ artists. Our mission is to provide individuals within our community with the tools, resources, and guidance they need to achieve success and visibility for their work at the highest levels of their field.

  • spicyzine.wordpress.com

    hello@spicyzine.com

    SPICY is a collective led by and for women of color and queer/trans people of color working at the intersection of arts, organizing, and publishing. We operate with the understanding that art is a transformative tool, and our mission is to harness its power to make meaningful change in the world. Utilizing our fundamental practices, we work to create spaces for our community that mirror the world we wish to see.

  • brooklynrail.org

    hq@brooklynrail.org

    Founded in October 2000 and currently published 10 times annually, the Brooklyn Rail provides an independent forum for arts, culture, and politics throughout New York City and far beyond.

  • chocolatefactorytheater.org

    The Chocolate Factory Theater is an artist-centered organization, built by and for artists. Co-founders Sheila Lewandowski and Brian Rogers began making work together in 1995 and quickly saw the need for a creative home to support their work and the work of fellow experimental performance-based artists. The Chocolate Factory therefore has grown and developed within and through a creative process that centers the development of new work, as guided by makers.

  • theclementecenter.org

    info@theclementecenter.org

    The Clemente Soto Vélez Cultural & Educational Center Inc. is a Puerto Rican/Latinx multi-arts cultural institution that has demonstrated a broad-minded cultural vision and inclusive philosophy rooted in NYC’s Lower East Side/Loisaida. While focused on the cultivation, presentation, and preservation of Puerto Rican and Latinx culture, we are equally committed to a multi-ethnic / international latitude, determined to operate in a polyphonic manner that provides affordable working space and venues to artists, small arts organizations, emergent and independent community producers that reflect the cultural diversity of the LES and our City. 

  • luminaltheater.org

    luminaltheater@gmail.com 

    The Luminal Theater is a nomadic cinema that brings Black film straight to the people. We provide fully-curated exhibitions of diverse cinema and media of the Black/African diaspora (African-American, African, Caribbean, Afro-European, etc.), allowing these artists to present their work within our unique brand of shared audience experiences, presented in majority-Black communities across the United States & virtually.

  • poetryproject.org

    info@poetryproject.org

    Through its live programming, workshops, publications, website, and special events, The Poetry Project promotes, fosters and inspires the reading and writing of contemporary poetry by (a) presenting contemporary poetry to diverse audiences, (b) increasing public recognition, awareness and appreciation of poetry and other arts, (c) providing a community setting in which poets and artists can exchange ideas and information, and (d) encouraging the participation and development of new poets from a broad range of styles.

  • canopycanopycanopy.com

    office@canopycanopycanopy.com

    Triple Canopy is committed to cultivating unconventional, unassimilated forms of thought and expression, and to meaningfully supporting the people who produce them. The magazine collaborates with contributors on artworks, essays, fictions, conversations, performances, and books (among other media) from conception to realization, navigating the digital and physical realms where ideas and audiences take shape. In doing so, Triple Canopy strives to not only analyze but alter the structures that influence whose voices are heard, whose stories are circulated, and whose experiences are valued.

  • uglyducklingpresse.org

    office@uglyducklingpresse.org 

    Ugly Duckling Presse is a nonprofit publisher for poetry, translation, experimental nonfiction, performance texts, and books by artists. Through the efforts of a volunteer editorial collective, UDP was transformed from a 1990s zine into a mission-driven small press that has published more than 400 titles to date, and produced countless prints and ephemera.

    UDP favors emerging, international, and “forgotten” writers, and its books, chapbooks, artist’s books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking.

    UDP is committed to keeping its publications in circulation with our online archive of out-of-print chapbooks and our digital proofs program. In all of its activities, UDP endeavors to create an experience of art free of expectation, coercion, and utility.

  • uniondocs.org

    UnionDocs is a Center for Documentary Art that presents, produces, publishes, and educates. We lead a diverse community on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future. 

  • visualaids.org

    info@visualaids.org

    Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists and preserving a legacy, because AIDS is not over.

  • wendyssubway.com

    info@wendyssubway.com

    Wendy’s Subway is a reading room, writing space, and independent publisher in Bushwick, Brooklyn. We support emerging artists and writers in making experimental, urgent work and create alternative modes for learning and thinking in community. Wendy’s Subway is dedicated to encouraging creative, critical, and discursive engagement with arts and literature.